Video for Break34

Rosa Mannen, the notorious pink Swedish file sharer who the sceners know as Dj Cat/Keso, has made a video for an old song of mine – again. This time it’s Break34, a C64-song inspired by 80’s “breakdance music”. Just like with his last video the video is a montage from an 1990’s Swedish TV-show, this time Bingolotto!

PETSCII-presentation in Poland

As some of you know, I’ve written quite a lot about chip music and the demoscene: in books, papers, a master thesis, and so on. For the past years I’ve been more interested in researching text graphics, and published a paper together with A Bill Miller in 2012.

Now I’m doing a presentation about PETSCII at an academic conference Behind the Scenes in Lódzki, Poland. I did it together with Markku Reunanen (who maintains the demoscene research site) and Tero Heikkinen (who wrote the PETSCII editor together with Markku). Unfortunately I’m not attending in person, but Markku & Tero know how to do it right!

At the same conference Gleb Albert is doing a presentation of his new research on the 1980s cracker scene. It seems to be an in-depth look at this sparsely researched subculture, and especially interesting since it considers ideology. Read more here.

Robinson Video

Rosa Mannen, probably the most prolific music (video) ripper in Sweden, made a video for an old C64-song of mine. It’s a cover of the song Robinson by HT – a sort of synth poppy project that me and Greger Eklund had 1996-2004. You can listen to some of the stuff here.

The song is about the TV-show Robinson, so Rosa Mannen edited together some VHS-recordings of the program.

My new musicdisk!

This is my C64 “music disk”: four slow, dubby, ambientish songs with reactive PETSCII visuals for each song, made by iLKke and 4-mat. And all of this fits in just 14 kilobytes!

It accompanies my latest album, released on Datadoor. Two of the songs are from that release: Linkan (which I made an installation/performance with) and Steel Egg (featured in the 8-bit Reggae book). One song was featured in the Ferret Show with a jazz band jamming on top of it.

The executable program is only available on Antidote BBS, the longest running C64 BBS in the world. It runs on a real C64 but you can telnet into it over the internetz. So that machine is my distributor!

This is how the disk directory looks when you list the files of the floppy disk. Because alphabetical structures of files is boring, and PETSCII is great.









iTunes Renamed My Album into Moon and Linear Clouds

So it took iTunes about a month to publish my album, and rename it. Into “moon and linear clouds”, as Tim Koch put it. Just like they didn’t accept the names of Files in Space, they didn’t accept the OTL-like name of this either. Protip, Apple: if you co-invent a standard you might want to follow it.

Anyway – it’s there now. And also on Spotify. And maybe some other places too. But the cassettes are sold out.

DJ-set at Hackathon

So, I’m doing a 4 hour DJ-set at this Hackathon in Lund, Sweden this weekend. I’ll mostly play other people’s music, but most likely do some own experiments aswell.

I’ll stress these fellas with some hacker beats and chill them down with hippie shiiit aiiit.

Live Jam Recording

In this blog post I linked to the live jam I did at Soundpond in Adelaide a while ago. I arrived really late and completely unprepaired, but I think it turned out alright anyway. I used three songs as the base (Ponky Super Dub Edit, Linkan, Oso) and re-arranged them live and programmed new bits on the fly.

I borrowed Tim Koch‘s SX-64 and his effect pedal so I had a nice setup to play with. Sorry for shocking the drum n’ bass heads listening to Soundpond before I got on hehe.

But now this recording is not available anymore.

 

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My new album is a 90-minute expose of dubby and dreamy C64 electro beats, spiced up with plenty of delays and supersounds.

Released by the brand new Australian label DataDoor for my little tour of the country, with PETSCII-design by iLKke. Available at Bandcamp as cassette and MP3/FLAC/etc, and on iTunes and Spotify and all that. There is also a C64 music disk – four songs with reactive PETSCII-visuals in just 14 kilobytes!

Most of the songs are edited improvisations, a technique I have worked with a lot especially after 2SLEEP1. The last song, Postiljon, is actually my first defMON-experiment in this style, probably from 2008.

On this album the C64 is complemented by other sound sources like drum machines, broken mixers, keyboards and renoises. Enjoy!