Music as Recordings = Boring?
I talked to Elsa Ferreira who wrote a post about Algorave where me, Jacob Remin and the robot did a performance a few weeks back. I explained a bit about how the remixes on Floptrik could be “eternal remixes”, and then I got started on how boring it is that almost all digital music in the end gets released as boring recordings, stripped of all that juicy archeological data. I’ve released a lot of music as data rather than recordings, and it seems like the way of the future. Especially now, soon, when the bots can take all that data, analyze it, and commodify your creativity! Hooray!
Photo: James Vanderhoeven (at Algorave at Algomech Festival)
Robot Music Recording
The robot played two long laid back sets at Internetdagarna, while people mingled in the internet evening. The robot remixed a bunch of my songs live by typing on a Commodore 64 and adding reverbs and delays with a Kaoss Pad. Meanwhile me and Jacob sat on a table next to it and talked about what we should do.
There was something quite surreal about seeing hundreds of people listening to a robot transforming your music into the unknown cosmos…
So, we recorded it and here’s three hours of it. Mind the gaps between songs, that’s for the robot to load the next song.
ASCII Graffiti @ Internetdagarna
Made these two ASCII graffitis during Internetdagarna in Stockholm. ASCII in the morning, robot in the evening. Phew!
Maybe these should actually be called ANSI graffiti by now, with all those colour blocks? Hm…
ASCII Graffiti at Truckstop Alaska
I made some ASCII graffiti for Truckstop Alaska, one of the better venues in Gothenburg where DATASTORM is held, among other things.
Internetdagarna, Stockholm, November 20-21
I’m doing ASCII graffiti and a robot live show with Jacob Remin at Internetdagarna next week. Unlike the rave set at Algorave last week, the robot will play more low-key cocktail dub electronica ambient something. And the ASCII graffiti will be painted on canvas, which you might be able to get if you’re lucky.
Video for Stocko
Video by Christopher Konopka for Stocko, a song from my new skweeelicious tape, coming out this Friday. Available for pre-order.
Split Tape with A Campbell Payne
This here be a split release together with A Campbell Payne, where I’m doing skweee and he’s doing Nanoloop techno/beats. Now available for pre-order at Rhythmus Records (cassette/download). It will be a very limited run of the cassettes, so don’t be lazy if you want one. And here’s a taste of my share on the cassette:
And you thought that skweee was dead, huh?
The new site is here
As some of you may have noticed, this site has had an extreme make-over for a while now with huge help from Spot/Up Rough. It’s still under construction, but I think I finally have a website that makes some sense. I really liked the previous awarded PETSCII site (by Raquel Meyers) but it was made in 2011 and it has run its course. So, enjoy the modern internet experience!
While looking through the server, I found a lost folder in the archives with lots of old sites of mine. It might be a mistake to post them now, but who cares? The oldest one I could find was from 2000 and is shown above. Full of teen angst, bla-bla… I think this one was at bizarr.blip.com/~goto80
This is the first page of the site from 2002 that works a bit so-so nowadays. It almost looks like a crappy version of the synthwave aesthetics of today?? Hm. Well, this one was at goto8o.boprecords.net iirc.
For this yellow 2004 site, I registered a subdomain at a pr0n site: goto80.myhardman.com. When I left that domain, it stayed alive for many years with absurd generated stuff combining Z80-processors and gay pr0n.
Entter’s 2005 site was based on the Fantasy-video and had a long and healthy life. It’s good to have the decrunching rasterlines back on the site now!
In 2008, the site became a WordPress blog and I spent plenty of time to get as much history as possible into the archives. You know that you can go back to 1993 in this blog still, right? No? Ok. After a while I got tired of the standard WordPress look, and I tried to make something GIF-freaky in 2010 but finally decided to go for something else.
This design from 2011 was made by Raquel Meyers. Beyond the landing page it was a side-scrolling WordPress blog and I was perhaps the only one who found it to be a perfectly reasonable internet cyber site.
Now, with the 2017-redesign, I think more people can appreciate this place. And I guess that’s good? I’ve also fixed a lot of linkrot (since the blog part has been around since 2008). I fixed no less than 320 dead links. which was a good reminder of the short memory of the internet. I’ve replaced the dead links with Wayback Machine backups where possible, but lots of releases and recordings and art works seem to be lost forever. It was during this process that I decided to make some of the lost releases available at this new Bandcamp page that I didn’t tell anyone about yet.
This is the 640th post on here. Next milestone is 1024 posts.
Kane West’s Acid Burger
This mix by Kane West (Steve/Kero Kero Bonito/PC Music) is full of acid and lo-fi goodness, and features one of the songs from my Acid Burger release. In case you missed it, it was a mini-DVD released in 2010 with audio and video, put in a McDonald’s cheeseburger, and shipped around the world with a varying degree of moldy success. The song comes in about 13 minutes into the mix.
V/A: Serendip Lab Festival 2017
I’ve got a song on this compilation for Serendip Lab Festival, the (still on-going) festival in Paris where I played last weekend. It includes artists like Otto von Schirach and Bill Vortex (aka Poborsk), so check it out! My song was previously released on the dubCRT.