ARTFARTS

L0v3 byt3s

L0v3 byt3s (NSFW) is a PETSCII-conversion of the old xxx-movie Love Bites. We made it as an impersonation of Vuk Cosic, famous for his ASCII-conversions of Deep Throat among other things. L0ve byt3s was made for Daniel Temkin’s exhibition Netvvorth, December 2013.

I made the music together with Zabutom and Linde, Johan Kotlinski coded it and Raquel Meyers did everything else.

The music is basically several long jams, pretty much unedited. The first one is me on defMON and Zabutom on some sort of modular synth monster. We recorded it in the Academy of Music and Drama in Göteborg – the perfect place for pr0n-music!

Somewhere in the middle this FM/ST-01 jam starts with Linde, and then more defMON and so on.

> Buy it
> More info

Animal Romantics (MP3/Javascript, Chipflip)

Me, Raquel Meyers & evilpaul made a new thing! An online maxi-single with visuals made in Javascript and C64 text graphics (PETSCII). The song and visuals describe the construction of a monkey-dreaming sextext-lady.

Features some very good remixes by Limonious, Dr. Vector, The Toilet, Steve and Ljudit Andersson.

CLICK IT, magistern!

Made for the pl41nt3xt pavilion at the Wrong art biennale in São Paulo, with over 300 artists. They’ve also organized a number of AFK-events. And we also put it on Chipflip.

So it’s another release in a strange format. It’s audiovisual, but not video. It’s demosceneish, but not for the scene. Personally, I’d like to call this one a music disk, but it’s not exactly an established term. Should we just calt internet multimedia?

Anyway. You can insert your own text messages in the menu and get a custom URL for it. So send some

> Punk Arcade gives some love

Video of the Textmode A/V Jam

The video of the performance yesterday, made with two C64s. I make music from scratch (no sounds or sequences prepaired) and add effects with a delay pedal. The music software is shown on the screen, and Raquel Meyers mixes it together with her typed visuals. Everything is in PETSCII. Thanks to Geraldine Juárez for filming. Dataslöjd power!

The music basically goes from ambient to acid and broken beats (?) to noise. As in any jam, some parts are pretty bad but in general I’m quite satisfied.

The performance was part of Simultáneo in Mexico.

Streamed Performance on Saturday in Göteborg

Dataslöjd is taking part in Simultáneo, an online event organized from Mexico. Me and Raquel Meyers will make an improvised C64 textmode show around 19.30 (GMT+2) – a bit like this – and then Geraldine Juárez shows Wealth Transfer. 2SLEEP1 is also showing, aswell as other videos from the other artists of Simultáneo.

If you are near Göteborg, drop by Kulturlagret around 19. Everything is streamed online too – stay tuned at Twitter or Facebook if I forget to update this post with URLs.

Kung Fu Glitch in Aix en Provence

Kung Fu Glitch, a little piece of C64-noise that me and Entter did in 2007, is currently showing at Gamerz Festival #09 in Aix en Provence, France. It’s part of 44422435, which was basically an evening of audiovisual butchery in Bilbao. Sorry to everybody whose work we destroyed – you’re welcome!

I’m not sure if this was before or after glitching games was cool. Or was it never cool? Always? I keep forgetting.

Micomonocon

Micomonocon is a music game where monkeys try to play human acid pop. Set in a luxurious text mode environment, your mission is to prevent chaos and promote business. Do you have what it takes to be a top monkey?

Made by Raquel Meyers, Jens Nirme and Goto80 2013 for LA Game Space. Featured in Experimental Game Pack 01 along with indie game heroes such as Keita Takahashi (Katamari Damacy), Cactus (Hotline Miami), Chris Osborn (Bit.Trip series), Jeremy Bailey, Jeremy Douglass, Tracer & Minusbaby, Party Time! Hexcellent, and many more.

Micomonocon runs on Windows, Mac and Linux and requires Java. It’s likely the best way to practice your secretary skills and prevent monkey acid at the same time.

> Get the game
> More screenshots
> Superlevel.de

Remote Control Music Studio

I was invited to this year’s International Teletext Art Festival (ITAF) and decided to make a music software called Remote Control Music Studio. If used properly, it allows the user to perform live and feed various TV- and radio-information into the software to use as audio waveforms, sync, modulations, etc.

For one month this will be shown on German, Swiss and Austrian teletext along with works by e.g Dragan Espenschied, Max Capacity, Raquel Meyers, Dan Farrimond, Ubermorgen, LIA, and several others. There are also some AFT (Away from TV) events, such as an exhibition at Ars Electronica later on.

> Read Teletext Art – An Overview at Chipflip