ARTFARTS

Essay for Rhizome about videotex art

I wrote a text for Rhizome’s Net Art Anthology. It’s an online exhibition that just started, and will go on for two years to show old and new net art.

I was asked to write about Reabracadabra, made by Eduardo Kac in 1985. It’s made for videotex, an early network technology sort of like a two-way teletext that was successful pretty much only in France, with the Minitel.

It’s a fascinating (and forgotten) technology, and I’m glad Rhizome helps to bring this forth. I for one am going to keep on digging into the videotex world at t3xtm0.de if not somewhere else.

Blood & ASCII Graffiti

I made a new ASCII graffiti piece, this time in colour. I made stencils for characters like / and _ and sprayed them one by one. This was a practice round for what I will do at the PLATINE festival in Cologne soon.

I started the day by catching a shaver falling from the skies with my hand and then cutting myself with a knife, which made this a very non-digital experience. Set in mO’sOul’s Amiga font!










Dataslav Recording from ANTI-HUMANISM

A while ago I made an improvised live-set where people could tell me what to do, by filling in a form. It’s like the live-performed version of the more asynchronous previous Dataslav performance. And more abstract. Or concrete, maybe?

I made two 30-minute sets and the second one was documented by Jacob Remin, so here it is for you (wav). The forms below are time-stamped, so you can sort of follow how they influenced the music. If you understand Danish, that is. Which everyone does.

Ascii Graffiti


ASCII-graffiti! Using an Ascii Arena logo by Spot, I cut out stencils from pizza boxes for the characters / \ ( ) | _ and sprayed this. Character by character. In freezing cold Götlabörj City. Observed by sceptical writers with knives, yo.