This is the trailer for Street Views – a short film set in Google Street View, made by Annie Berman. Winner: Best Experimental Short at Rome Independent Film Festival 2014. Made in 2013. The song is Thriller Iller from the Ferret Show.
In 2013, me and Raquel Meyers performed a big show in Paris for kids called Yeti Sound Machine. This video shows the different parts of that performance, running with one of the songs from the performance: Yeti Bad Guy Polka (also featured on Files in Space). She also recently made a book with graphics from the performance. All in glorious C64 PETSCII graphics.
Eidsvoll 1814 is a Norwegian museum, obsesssed with the year 1814. They’ve made a video with kids talking about important things and it was just published on the local newspaper’s YouTube channel. The spasmofunky music was made by me. In 1814. Video by Øivind Strand Sandbu.
Datastorm is a demoparty. That means that you go there, make some stuff, throw competitions, and see who wins. There is no money involved. And no CVs. No big prizes. No academic explanations, and no PR. It’s like an oasis of freedom. Although there’s too many middle-aged men with bad taste, it’s an incredible thing.
For this year’s Datastorm, me and my Hack n’ Trade group members didn’t have much prepared. But we managed to get a demo together in just two days, and I finished a ballad (!) for the competition too.
Fist of Trade is a sort of spooky typewriter-style animation that only uses PETSCII text characters. I made the music, Acid T*rroreast animated and Mathman programmed the codez. Features amazing four-directional PETSCII scrolls, stone faces and gabber fists from hell. I think the video is made with an emulator, because the sounds are a bit off.
The Great Ballad of the Storm That Never Ends is a futurist ballad from the past. Probably the most calm compo tune I’ve done since that Ajvar Relish dub from 2001. Big thanks to 8GB for some excellent progamming help.
Last year me & my C64-demogroup Hack n’ Trade compiled a C64-floppy full of hot software, to celebrate our 20 year anniversary. FÅGELDISK! It had a bird theme, as you can also see in the main demo on the disk, 20 years is nothing:
So we just spread copies of the floppy around at the BFP copy party, and forgot about it. But now I’ve made it available online. It has some pretty sweet stuff, like the defMON tracker that has been unavailable before, unreleased demos, HT Gold, new demos, and so on. Here’s some of it:
Birds on Fire (2013) is a short demo with, well, birds on fire. Made by Linde, Raquel Meyers and me.
TEVE DEMO (1995). One of the first C64-demos I can remember making. It’s a list of TV-shows, mixed with teenage profanities.
Penguin Huddle (2013) is a double-SID song by Jellica.
Pleasant Evening Bird Disco (2013) is a triple-SID song by Jellica
L0v3 byt3s (NSFW) is a PETSCII-conversion of the old xxx-movie Love Bites. We made it as an impersonation of Vuk Cosic, famous for his ASCII-conversions of Deep Throat among other things. L0ve byt3s was made for Daniel Temkin’s exhibition Netvvorth, December 2013.
I made the music together with Zabutom and Linde, Johan Kotlinski coded it and Raquel Meyers did everything else.
The music is basically several long jams, pretty much unedited. The first one is me on defMON and Zabutom on some sort of modular synth monster. We recorded it in the Academy of Music and Drama in Göteborg – the perfect place for pr0n-music!
Somewhere in the middle this FM/ST-01 jam starts with Linde, and then more defMON and so on.
Tracker, artificial intelligence, speech synthesis rap, stats sucker, printer, video feedback… Remote Control Music Studio is the best teletext music software around! Thanks to Peter Kwan for the platform, and Raquel Meyers for help.
(fire and horses not included)
A story with pirates, sloths and sex told completely in text graphics and chipmusic. A blocky and brutal visual aesthetic synchronized with explosives, drunken funk and computer screams. All made in 44 kilobytes, to be executed by a Commodore 64 and its colourful ASCII-alternative called PETSCII.
Visuals by Raquel Meyers, audio by Goto80 and coding by Johan Kotlinski.
I recorded myself making some beats from scratch on the C64. Acid funk skweee something? Nothing fancy, but gives you a peek into how it works. Or not. But just copy all my moves and then you have a C64-song!
Obviously there’s lots of boring parts, because this wasn’t supposed to be a live jam like 2SLEEP1 or sth. Skip and be happy.